petervas

Blood, Sweatshop & Tears

In Short Story, Social, Women, Writing Assignments on May 14, 2013 at 8:08 pm

 
 

APTOPIX Bangladesh Building Collapse

 
 

The dust-fog lifted swiftly into the air. For a few minutes that followed, the eclipsed scorching sun cast a gloomy shadow on a six-storey garment factory plaza, now pancaked into a two-storey rubble.

Selva rushed to the tiny window the size of an exhaust vent, to investigate the loud explosion.  A thought raced across his mind: Indu is dead
 


 
The local elections were in full swing, and political rivalries could turn up anything – even a cycle-bomb. As he peered outside, he had an eerie sense that he might be peering through a different window. The familiar view of a brick-clad facade of the drab and decrepit six-storey garment factory refused to greet him today. What greeted him today instead, was a rubble-heap of deathly proportions: fallen concrete beams with ripped-off and twisted metal rods, crumpled factory floors, and caved-in ceilings.

But the reason he was shell-shocked and the blood drained from his face, was the wordless realization that thousands just like him worked in the garment factory that this building housed.

And there was Indu on the fourth floor of this collapsed building. Buttons Section, third row to the right, next to window the size of an exhaust vent. Always waving her red dupatta through the vent-window at the sight of Selva getting off his clackety-clack Hero bicycle at 8:00 AM every weekday morning. Just like she did today. He had waved back to her. Where is she?

The floor manager was screaming his head off.

“The workers are trapped!” he yelled. “Let’s get them out”

Selva heard loud wails coming from another worker who was calling out to her sister somewhere in that collapsed building. There was instant chaos and panic on the floor. Selva was caught up with the rushing crowd, he rushed down the stairs and moved quickly to the high gates that fenced in the garment workers. The security guards did not budge to their request of opening them as it was not the appointed time for the gates to be opened. Some of the workers scaled the high fence.  The guards were quickly overpowered. The gates swung open and a burst of men rushed out towards the collapsed building. A dust cloud emerged behind them with unmatched flip-flops and slippers strewn about in it’s wake.

There was an undefined and invisible periphery around the collapsed building where the army of men suddenly stopped.

The Pearl Fishers of Mani Ratnam’s “Kadal”

In Arts, Movie Reviews, Music, Music, Place, Religion on February 10, 2013 at 9:43 am

A brief history of Christians in coastal Tamil Nadu

manapad_boats

A picturesque Manapad, the cradle of coastal Christianity in Tamil Nadu.


ஏலே கீச்சான் வெந்தாச்சு – நம்ம சூச பொண்ணும் வந்தாச்சு ஹே ஈசா வரம் பொழிஞ்சாச்சு Mate, the tiger fish curry is done cooking and Joseph’s girl is here. Jesus has showered his blessings
Elay = Mate; Keechan = Tigerfish, freshwater fish available in Tuticorin and Cuddalore Joseph’s girl = Mary. In this case Beatrice


This opening title song Elay Keechan, immediately brings to mind a certain people.  Elay and Yekki are how you would address a boy or a girl in this coastal town.  It’s a corruption of the Portuguese terms Ela and Equ.

How did the Portuguese come to influence the language, culture and religion of the fishermen here? 

Mani Ratnam’s latest movie Kadal is about a fisherman from a village close to Tuticorin called Manapad.  This is of immense interest to me, as I consider the place my cultural roots.  Having grown up in bigger cities all my life, I always come back here, to figure out what makes me me. That journey of self-discovery is absolutely thrilling.  I wanted to see if Mani Ratnam added to my understanding of myself through this movie.

Let me introduce my cultural heritage to you then, via a popular song.  A 1973 movie Do Phool saw Mehmood singing and dancing to a funny Tamil song.  The Hindi speaking population ingloriously mutilated a Tamil song in Muthu Kodi Kawari Hada much less understood what it meant.  Apparently Mehmood used to love mimicking Nagesh and Asha Bhosle loved LR Eswari and the song and dance in Do Phool was a remake of another tamil song called Muthu Kullika Varigala from a 1967 Tamil movie:  Anubhavi Raja Anubhavi.  

What does Muthu Kulikka Vaarigala mean?

Muthu Kulikka Vaarigala,  in Tamil means Do you want to go deep sea fishing to harvest oysters for pearls?

The Hijras of India

In Social on October 20, 2012 at 10:20 am

The hijras of India are unlike any you might see in any other part of the world.  You might have occasionally come across men dressed as women, wearing garishly bright makeup. They immediately attract attention to themselves for all the wrong reasons and most often win ridicule.

We are really not sure if eunuch, transvestite, gay or transgender is actually the right term for a hijra as their social mores are very unique and are almost above classification by western terms.  One can attempt to know them by their social mores rather than by classification by taxonomy, so here goes:

Who is a hijra?  
 



 
Is there no western classification to this transgender from India?  Because of a lack of proper english definition, most research points to hijras associated with a matriarchal, hierarchical clan that encompasses LGBT orientations.  Some relevant points here to help you understand who a hijra really is:

1. There are more than a million hijras in India, the largest presence in any country!

2. Hijras live in clans or all-male hijra communities.  The hierarchical head of such a community is called a guru.  The followers are chelas.  The gurus and chelas live in harmony.

3. In larger cities, like Delhi and Mumbai, hijra communities could coalesce based on language and caste but they are mostly secular in their views on everything.
 
 

Indian movies have portrayed hijras effectively in wedding celebrations and blessing of the new born
A popular Tamil movie Paruthiveeran, picturised Aravanis in a kick-ass song sequence. The Hindi movie Kunwara Baap, had hijras welcoming and blessing a new born baby. This timeless and evergreen classic to this day is an all-time favorite of the hijras.

 
 

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